Theater and Make Up History

February 23, 2011 by · 1 Comment 

Earliest History of Theater Makeup

The earliest known use of theatrical makeup was by the Greek actor Thespis, who, in an effort to stand out from the Greek chorus, painted a toxic covering of white lead and mercuric sulfide to create a white and red face paint. It is debated whether these toxic substances continued to be used in Greek drama because linen masks representing comedy and tragedy (based on the muses Thalia and Melpomene), were used to convey expression. Although contemporary performance uses theatrical makeup to convey character, and facial expression and tone to convey emotion, these Greek masks continue to exist an instantly recognizable symbol for drama. The use of makeup for theater appears to have become more common in the 1500s and 1600s. Read more

Stage Lighting Terminology

February 23, 2011 by · Leave a Comment 

Lighting Terms

Acting Area: This is the area within the performance space where the actor may move in full view of the audience.

Antipro: Lighting bar positioned just downstage of the proscenium arch.

Architectural Lamp: A type of linear filament lamp with contacts at 90 degrees to the filament which can give the appearance of a continuous line of light. (It is similar to neon, but dimmable). Read more

Stage Areas

February 23, 2011 by · Leave a Comment 

STAGE AREAS

Closed The actor is turned away from the audience.

Cross Abbreviated X, it is a move from one place to another on stage.

Give, take When two actors are not equally open, one gives and the other takes the scene

Open An open position is one which faces the audience. An open turn is one which turns towards the audience. Read more